無 Nothing, Display Distribute, 2018, 210 × 297 mm, First edition of 50.

A few notes on nothingness and emptiness in the tradition of Chinese landscape painting and calligraphy, of which the Shanzhai Lyric might be considered a part. Poems collected from clothing markets in Beijing, Shenzhen, Guangzhou and Hong Kong. Printed on the occasion of “The Shanzhai Lyric: DREPM THE WOELD” at the Stuart Hall Library, London, UK.